Jean Dubuffet's monumental sculptures are connected to the Hourloupe cycle. This first appeared in 1962 with drawings and paintings made up of multiple cells where each space comes to life, participating in the theory that there is continuity between objects, places and figures. Then comesthe desire to "enter into the images", to create a mental space where the viewer would no be in front of the image, but inside the image, integrated and directly confronted by the Hourloupian writing forcing him to reflect on the fantasy and reality. The paintings become reliefs then architectures.